The Fujifilm Real 3D W1 is rather inevitably a large camera, measuring 123.6 (W) x 68 (H) x 25.6 (D) mm and weighing 260g, so its best stored safely away inside a small camera bag. Despite its bulky proportions, the Fujifilm W1 is quite pleasing on the eye, with a glossy piano black and silver colour scheme (which unfortunately quickly shows up fingerprints), bright blue illuminated controls, sliding lens cover and a large 2.8 inch LCD screen. Thankfully, despite the smooth all-plastic body, the camera is not too slippy when gripping it, feeling well-balanced in your hands. The overall build quality is up to Fujifilm’s usual high standards.

The LCD screen on the rear of the camera is a 2.8 inch model which only has an adequate 230,000 dots. The LCD monitor has a glossy finish which tends to show fingerprints, and it’s also slightly raised. There is no optical viewfinder on the Finepix Real 3D W1, leading to a few moments of frustration in very bright sunlight when it can be difficult to see the image on the monitor clearly.

The Fujifilm Real 3D W1 has relatively few external controls, just 8 in total, although it does offer a much wider range of photographic options than that number would initially suggest. All the external controls are clearly labeled using industry-standard symbols and terminology, with only the 3D specific buttons requiring reference to the user guide. The W1 uses a rather unconventional control system on the rear, with the LCD screen flanked on either side by a vertical column containing 3 buttons, which are then further sub-divided via a central channel into 2, effectively giving a total of 6 buttons on each side.

The monitor on the 3D digital camera uses an originally developed “Light Direction Control System”, and the 3D digital viewer adopts a “Parallax Barrier System” to precisely direct light to the right and left eyes in a way that simulates parallax. Both enable easy and natural viewing of 3D images with just the naked eye.

The Fujifilm FinePix REAL 3D W1 system adopts the MP format for stills and AVI format for movies. The 3D W1 can also simultaneously record still images in both MP format and JPEG (2D).  AVI adopts the widely used AVI multimedia container format. Adoption of these formats enables 2D playback of recorded images on the user’s current personal computer. With the bundled FinePix Viewer image viewing software, users can also convert MP format and AVI to conventional 2D formats.

FEATURES:

Lens System

Acclaimed for superb resolution and definition, Fujinon lenses are the choice of professional cameramen and a key component of many professional imaging devices. For the Fujifilm FinePix Real 3D W1, Fujifilm has developed a groundbreaking image capture system comprising two Fujinon lenses and two CCD s, and the system is integrated in the compact body with high-precision engineering. An aluminum die-cast frame provides the solid platform for the precision alignment of the left and right lenses so you can take 3D images with an unprecedented quality of reality.

RP Processor

Image data captured by the twin lens- CCD system is processed by the RP Processor 3D – a newly developed processor that evaluates all photographic factors from focus and brightness to color tonality, and then merges the left and right images in a single 3D image. It is also the power behind 3D Auto – the function that makes point-and-shoot 3D photography amazing!  This processor also controls the two capture systems independently to shoot two different images of the same subject simultaneously – each with different photographic settings.

Manual Shooting Functions

Pursue the extremes of 3D and 2D photo expression with the manual shooting functions of the FinePix REAL 3D W1. Choose “M” (Manual) Mode for the freedom to set shutter speed and aperture. Get instant control of depth of field in “A” (Aperture Priority) Mode. With the built-in “P” (Program) Mode, the camera automatically sets the shutter speed and aperture value. With manual shooting functions, you can capture what your mind’s eye sees in every detail.

Reviews

photographyblog.com writes:

“Which leaves the rest of us – family snappers, prosumers, even professionals – can the Fujifilm Finepix Real 3D W1 convince us to pay the rather sizeable cost of entry? I’m afraid the jury’s still out on that one. While the Fujifilm Finepix Real 3D W1 definitely achieves its 3D ambitions with utterly convincing images, the high price, bulky size and limited 2D capabilities mean that it will probably remain something of a niche product. We’re already looking forward to the hopefully smaller and cheaper W2…”

Stuff.tv reviews writes:

Overall, though, this is a stunning first effort. It’s a little big and pricey, but you’ve got a whole new creative dimension to play with – and playing around to get the most eye-popping results is utterly addictive.”

Rating: ★★★★★

CNET.uk reviews writes:

We can’t say how good the separate viewer is because Fujifilm didn’t have one to send to us, but, judging by the images on the FinePix Real 3D W1’s screen, when the 3D mode works, it works well. But the 3D effect is elusive, the camera can be awkward to handle, and the overall cost could soon start rising, thanks to the expensive extras.“ Rating: ★★★½☆

PhotographyBlog writes:

3D W1 produced 2D images of above average quality during the review period. The 10 megapixel sensor produces noise-free images at ISO 100, but there’s some limited noise starting to appear at ISO 200. ISO 400 exhibits fairly visible noise and loss of fine detail but is still very usable, while ISO 800 and 1600 get progressively noisier.“

Rating: ★★★★☆

T3 writes:

Buy it for a gimmick-mad sibling as a wedding present, maybe… but get a proper compact for yourself.“

Rating: ★★★☆☆

Akihabara reviews writes:

Overall, though, this is a stunning first effort. It’s a little big and pricey, but you’ve got a whole new creative dimension to play with – and playing around to get the most eye-popping results is utterly addictive.”

Rating: N/A

Videos

Specifications:

Today’s discerning photographers are looking for a camera with a high zoom range, yet compact and pocketable, with no compromises on picture quality. The camera delivers on all those counts, and is destined to be the star performer in this year’s intense competition for the best ‘superzoom’ compact. The Fujinon brand name guarantees optical quality across the entire zoom range. Fujinon lenses are acclaimed by photographers, broadcasters and industrial users across the globe.

Overall dimensions are 103.5×59.2×32.6mm and the camera weighs 215g with battery and optional SD/SDHC memory card inserted. xD-Picture Card now seems to be a thing of the past for Fujifilm.

The F300EXR can be utilized in one of three ways by the photographer. There’s a choice between shooting at full 12MP resolution in High Resolution (HR) mode, alternatively choosing wide Dynamic Range (DR) mode to achieve optimal balance between shadows and highlights, or Low Noise (SN) mode for shooting without flash in low light conditions. If you can’t decide which is best for a chosen scene or subject, then leave the camera on scene-detecting EXR Automatic Mode and let it choose for itself, comparing the subject before the lens with pre-optimised settings, here these govern landscapes, portraits, macro, night time, night portrait and backlit portrait settings in particular.

The Fujifilm FinePix F300EXR sits nicely in the hand for easy controlled shooting. The camera is fitted with a class-leading flash control system. Following in the footsteps of award-winning ‘F’ series models, the F200EXR, F70EXR and F80EXR, Fujifilm announces a new top-end 15x zoom model, the FujiFilm F300EXR.

 The integral flash, prior to this neatly sunk within the top plate, rises automatically, and without request. Much the same in fact as the flash does on the aforementioned Canon PowerShot SX210 IS; however, unlike on the Canon where its flash could immediately be clicked back down into place and scolded like a naughty child, the Fujifilm’s own remains raised and somewhat in the way of your fingers when holding the camera in both hands.

The Fujifilm FinePix F300EXR uses both Contrast AF and Phase Detection AF to offer auto focus speeds as good as, or sometimes better than expensive DSLRs. To achieve the incredible AF speed of 0.158 seconds,  engineers placed pairs of phase detection sensors on the EXR sensor, which work exactly like external sensors on DSLRs. The F300EXR automatically selects the optimum focus system, by measuring the amount of light or contrast in the scene. The benefit for the photographer is immediate and obvious: an almost instantaneous capture of the subject in the viewfinder, with no missed shots or subjects half out-of-frame.

On its top plate is the camera’s built-in mono microphone, with a speaker located on the camera’s left hand flank, if viewing it from the back. Both the power button and shutter release fall readily under the forefinger when gripping the camera in your right hand, and the zoom lever is similarly ergonomically located. Nudge the latter and said zoom veritably powers through its broad focal range, zipping from maximum wideangle to extreme telephoto in actually under three seconds; shame then that it sounds like a wasp buzzing your ear as it does so.

Reviews

CNET.asia reviews writes:

When in low-light environments, the camera switches to the slower contrast-based AF system. In our tests in a darkened room, there were incidences where the shooter may indicate that the scene is in focus, but when the shutter is pressed, the captured image turned out slightly blur. That said, this happened only occasionally, and most of the time the camera delivered tack-sharp photos.”
Rating: ★★★☆☆

About.com writes:

If you’re going to make average sized prints, however, the F300EXR’s image quality is really good and surpasses many other cameras in its price range. Colors are accurate and bright, subjects are very sharp, shots are well exposed, and flash photography works very well with the F300EXR. I was very pleased with the image quality of this camera.“
Rating: ★★★★★

NeoCamera writes:

The Fuji Finepix F300 EXR is one of the most compelling compact cameras available. Its excellent image quality is class-leading in terms of dynamic-range and second-best in terms of image-noise…. The ultra-wide angle 15X optical zoom lens in a very compact body and manual-controls make this digital camera among the most versatile.”
Rating: ★★★★½

DCRP writes:

A camera can have all the bells and whistles in the world, but at its core, it needs to be able to take high quality photos. And while the F300EXR may be good enough for small prints at low ISOs, the simple fact is that other cameras do just about everything better. I’d recommend spending your hard-earned money on something other than the FinePix F300EXR.“
Rating: N/A

Cameras.uk writes:

I like this camera. The Fuji Finepix F300EXR ticks most of the right boxes if you are looking for a digital camera to slip into a pocket ready for the next photo opportunity. The features on offer give you plenty of flexibility and different shooting options.”
Rating: ★★★☆☆

Videos

Specifications:

*1 Number of effective pixels: The number of pixels on the image sensor which receive input light through the optical lens, and which are effectively reflected in the final output data of the still image.
*2 Please see the Fujifilm website to check memory card compatibility.
*3 Exif 2.3 is a digital camera file format that contains a variety of shooting information for optimal printing

Features:

•     1/2.3-inch, 12.2-Megapixel CCD imaging sensor
•     5x Fujinon optical internal zoom lens
•     2.7-inch, 230,000 dot LCD screen
•     Waterproof to approx. 13ft. (3m)
•     Dustproof
•     Shockproof from up to 3.3ft. (1m)
•     Freezeproof as low as 14° (-10°C)
•     Full Metal Body
•     Dual Image Stabilization
•     720p HD video recording
•     One Touch Video Recording
•     SR Auto (scene recognition auto)
•     Face Detection with Face Detection Timer
•     Tracking Auto Focus
•     YouTube and Facebook easy uploading
•     13MB internal memory
•     SD/SDHC card compatible
•     Li-Ion Rechargeable battery

The Fujifilm Finepix XP10 sports a 12-Megapixel CCD sensor, a 2.7” High-Contrast LCD for better viewing in bright sunlight and a high-precision, Fujinon 5x periscopic optical zoom lens with a reinforced protective lens barrier. This camera is only 21.7mm thin, and retains the chiselled design of a conventional compact camera.

The rugged Fujifilm Finepix XP10 is based around a 12.2 effective megapixel, 1/2.3-inch RGB CCD image sensor coupled to a Fujinon-branded 5x optical zoom lens. Described by the company as being waterproof, freezeproof, shockproof ,and dustproof, it can survive immersion to ten feet, drops from three feet, and conditions as cold as 14°F. Maximum image resolution is 4,000 x 3,000 pixels in the camera’s native 4:3 aspect ratio, and both 3:2 and 16:9 aspect ratio modes are also available. The XP10′s lens offers actual focal lengths ranging from 6.4 to 32.0mm, equivalent to 36 to 180mm on a 35mm camera – a rather tight wide angle to a useful telephoto. The Fuji XP10 has a two-step aperture, offering either F4.0 or F6.7 at wide angle, and either F4.8 or F8.0 (with an ND filter) at telephoto. Minimum focusing distance is ordinarily 2.0 feet at wide angle or 3.3 feet at telephoto, but drops to just 3.5 inches in Macro mode at wide angle, or 3.3 feet at telephoto. There’s no true optical viewfinder on this model, with all interaction taking place on a 2.7-inch LCD display with 230,000 dot resolution, and this display provides 96% frame coverage.

The Fujifilm Finepix XP10 offers ISO-equivalent sensitivity ranging from 100 to 1,600, controlled automatically or manually. Exposures are determined using 256-zone metering, and shooting modes include Auto, Program, and a generous eighteen scene modes that allow a modicum of control over the look of images. The Fuji XP10 doesn’t offer any form of optical or mechanical stabilization, opting instead solely for a software-based approach to combatting blur from camera shake. Shutter speeds range from 1/2,000 to 1/4 second. Burst shooting is possible at up to 0.8 frames per second, albeit with a burst depth of only three shots.

The Fujifilm Finepix XP10′s contrast detection autofocusing system offers a single focus point at the center of the frame, and includes a tracking function. Seven white balance modes are available, including automatic or six presets; manual white balance is not possible on this camera. The camera’s built-in six-mode flash has a range of 2.3 to 10.2 feet at wide angle, or to 8.9 feet at telephoto, which can be reduced to a range of one to 2.6 feet in macro mode. A two- or ten-second self timer is available to allow the photographer to get into the photo, or to reduce blur when shooting on a tripod. There’s also a Couple or Group timer function based on the camera’s face detection capability.

The Fujifilm FinePix XP10′s 5x zoom lens provides a focal length of 36-180mm in 35mm terms, as demonstrated below. The XP10 offers a Macro setting that allows you to focus on a subject that is 9cms away from the camera. The first image shows how close you can get to the subject in Macro mode (in this case a compact flash card). The second image is a 100% crop.

As well as JPEG-format still images, the Fujifilm Finepix XP10 can capture Motion JPEG-compressed AVI video with monaural audio. Movie resolutions include high-definition 720p (1,280 x 720 pixels), VGA (640 x 480 pixels)  and QVGA (320 x 240 pixels) with a rate of 30 frames per second. The Fuji FinePix XP10 stores its data on Secure Digital cards, including the newer SDHC types, or in 13MB of built-in memory. Connectivity options include USB 2.0 High Speed data and NTSC / PAL standard definition video output. Power comes from a proprietary NP-45A lithium-ion battery,with battery life  rated at 165 frames on a charge.

The flash settings on the Fujifilm FinePix XP10 are Auto, Red-eye Reduction, Forced Flash, Suppressed Flash, Slow Synchro, Red-eye Reduction & Slow Synchro. These shots of a white coloured wall were taken at a distance of 1.5m. The Fujifilm FinePix XP10′s maximum shutter speed is 4 seconds, which is not great news if you’re seriously interested in night photography. The shot below was taken using a shutter speed of 4 seconds at ISO 200.

Reviews

PhotographyBay writes:

If you’re a swimmer, kayaker, white water rafter or other water sports enthusiast, the XP10 would be a nice little camera to have around to help you capture some of those shots that you would otherwise miss.”
Rating: N/A

PhotographyBlog writes:

“Despite the so-so still images, it’s still easy to recommend the Fujifilm XP10 as an easy-to-use and versatile camera for all the family.”
Rating: ★★★★☆

Digitalcamerainfo writes:

“you can certainly argue that you get what you pay for, and there is undeniable appeal to coughing up a modest amount of cash for a camera that won’t conk out when it’s splashed, dropped in the pool or taken out for an afternoon’s snowboarding. “
Rating: N/A

Steve’sDigicams writes:

“Our outdoor image samples show us a very good overall image. Producing great exposures and realistic colors, the images are very close to what the photographer sees when capturing them.“
Rating: N/A

ITReviews writes:

“When you pack your suntan lotion and surf board, the camera will make an admirable accessory as a tough, hard-wearing outdoor camera that takes reasonably good quality snaps despite some minor design flaws.”
Rating: ★★★★☆

TechRadar writes:

At a low price of around £100, it’s a great idea to have a holiday camera that you can take to the beach for mucking around and taking underwater shots, or even for that matter taking pictures of your children in the bath. Throw this camera in your bag, have fun with it and try not to worry too much about the quality of the photos.“
Rating: ★★★☆☆

Cameras.uk writes:

“The Fuji Finepix XP10 has a lot going for it. It is a fun camera that can be used around the pool and on the beach. It can also handle the occasional bump and bruise. Compared with other robust digital cameras it also comes with a lower price tag.“
Rating: ★★★★☆

Our Rating ****~ (4/5)

Videos

Specifications

One of the key features of cameras that use BSI sensors is panorama capture mode, and this Fujifilm has it, too. We just had to pan the camera across the scene to take a panoramic shot, though the HS10 took quite a while to process and record the photo. The stitching is done quite seamlessly, with no visible traces of misalignment as long as you pan the snapper smoothly.

The HS10 handles like a dSLR, and at 636g (without memory card and battery), it weighs as much as one. It is definitely not a camera suited for everyday use unless you have strong shoulders to haul this camera around for extended periods. However, the well-placed buttons make operating the Fujifilm easy. Enthusiasts familiar with dSLRs will feel right at home with the HS10, but new users will find the multitude of controls daunting.

The Fujifilm HS10 features a full HD movie mode (1080p/30fps) with stereo sound, and the camera’s mini HDMI output allows you to easily display ultra clear high definition photographs and movies on high definition televisions. A new Super High Speed Movie function allows you to freeze action and capture breathtaking movies at up to 1000 frames per second for amazing slow-motion movies that reveal the hidden world of events that normally occur in the blink of an eye.

The FinePix HS10’s unique Best Frame Capture Mode means you don’t need the reactions of a pro sports photographer to get professional results either; in this mode the camera continuously records images from the moment you focus, then saves up to 7 shots before or after you press the shutter release. Capturing action with the FinePix HS10 is so easy it feels like cheating.

The HS10 utilises a sensor-shift image stabiliser system to counter blur in photos caused by hand shake, but even this implementation has its limit. At the longest end of the optics, you have to use a very fast shutter speed (1/250 second and above) to get a sharp shot. If you are taking pictures in low-light environments, you’ll have to use a tripod to support the camera or boost up the ISO sensitivity settings.

The Finepix HS10 can record full-HD (1920×1080-pixel) videos, and we were very satisfied with the results. Plenty of fine details were rendered in our clips, and it looked sharp, too. The file sizes generated are reasonable for a camera that can capture full-HD movies: 63MB for a 34-second video.

With a zippy 7fps burst mode, the HS10 is suitable for capturing fast action shots. Better still, the images are recorded at full resolution, unlike most compacts which reduce the megapixel count for speedier capture.

The Fujifilm Finepix HS10 looks ke a mid-range DSLR, with a weight and solid build quality that should withstand a few glancing knocks in the heat of the action. The moulded curves of the body and matt black finish deliver a purposeful look that is as aesthetically pleasing as it is practical, with nice chunky controls, an ergonomic control layout that allows both quick and easy access to functions, and a deep hand-grip with a well-thought-out indentation into which a middle finger slots comfortably.

The FinePix is oriented toward enthusiasts who want a camera that offers a dSLR-like shooting experience without the hassle of switching lenses. However, the image quality is compromised due to the smaller sensor. Still, the HS10 delivers decent images we’ve come to expect from a Fujifilm camera and is packed to the brim with features that advanced shutterbugs will appreciate.

 Key features:

•     High Resolution super wide Fujinon 30x optical zoom (24-720mm) with manual (mechanical) zoom
•     True wide-angle and extreme telephoto capture in a single compact unit
•     Triple image stabilisation (sensor shift IS, high ISO IS, Digital IS)
•     10 MP BSI CMOS sensor with advanced shooting modes and high image quality
•     3.0” High Resolution tilting LCD
•     Electronic Viewfinder with eye-sensor for automatic switching
•     High speed 10 fps continuous shooting at full resolution and new motion-tracking auto focus
•     Full HD (1080p) movie capture with stereo sound
•     Super High Speed movie capture at 1000 fps
•     Motion Panorama mode for ‘one shot’ sweeping panoramas
•     Advanced capture modes including unique Motion Remover mode that removes tourists and other moving objects from your photographs
•     Direct Shooting Command buttons and Command dial put advanced photographic features at your fingertips
•     RAW and JPEG capture modes

Reviews

InfoSync writes: 

“All of the Finepix cameras produce impressive images this year, and the Fujifilm Finepix HS10 is no exception. Colors were natural, aberrations and noise were minimal, and the camera offered plenty of control in order to finagle a result that was right for our vision.“
    Rating: N/A

PhotographyBlog writes:

“The HS10 is Fujifilm’s most advanced and most well-realised attempt at a do-it-all, Swiss Army knife camera, offering an awful lot of bang for your buck with not many compromises to dampen the overall experience, making it a well-deserved recipient of our Highly Recommended award..”
    Rating: ★★★★½

PhotographyBay writes:

“In good light, the HS10 does fine. You can shoot up to about ISO 800 without worrying too much about noise. Once you hit ISO 800 and beyond though, you need to understand that your image noise will limit your acceptable printing and display sizes….If you are in the market for a superzoom camera, the Fuji HS10 deserves a spot high up on your list.”
    Rating: N/A

CNET.asia writes:

“Although the HS10 looks like a dSLR, the picture quality it delivered did not reflect that. The camera has an ISO sensitivity range of 100 to 6,400, but we’d advise users not to venture beyond ISO 400 for most shots.”
    Rating: ★★★★☆

Steve’sDigicams writes:

“While it can capture some nice 10-megapixel photos, they can not be compared to even entry-level dSLRs as far as quality is concerned. I feel that the FujiFilm FinePix HS10 will make a great camera for the hobbyist that is looking for a vast zoom range, and plenty of useful exposure options; not to mention a usable 1080p HD video option. “
    Rating: N/A

Our Rating (4/5)

Videos

Specifications

General:

Camera Type: EVF
Dimensions: 5.1 x 3.6 x 5.0 in.(131 x 91 x 126 mm)
Weight: 22.4 oz (636 g)

Image Capture:

Sensor Type: CMOS; 1/2.3″ (approx. 0.43 in. diagonal); 10.30 megapixels (effective)
Aspect Ratio: 4:3, 16:9
Image Dimensions:
3648 x 2736 (10.0 megapixels)
3648 x 2432 (8.9 megapixels)
3648 x 2056 (7.5 megapixels)
2592 x 1944 (5.0 megapixels)
2592 x 1728 (4.5 megapixels)
2592 x 1440 (3.7 megapixels)
2048 x 1536 (3.1 megapixels)
2048 x 1360 (2.8 megapixels)
1920 x 1080 (2.1 megapixels)
Capture Speed: Continuous: 10.0 frames per second for 7 frames

Image Preview / Review:

Viewfinder: Yes, EVF; 0.2-inch, 200K dot FLCD; Approx. 97% coverage
LCD: 3.0 in. diagonal; 230,000 dots (approx. 77,000 pixels)

Lens:

Lens Type: Fujinon; 30x optical zoom; 58mm lens thread
Image Stabilization: Yes
Focal Length: 4.2 – 126.0mm (actual); 24 – 720mm (35mm equivalent)
Aperture Range: f/2.8 (wide) / f/5.6 (tele) – f/11
Focusing System: Contrast Detect AF: (Area, Multi, Center,Tracking) / Continuous AF / Manual focus; Has AF assist lampp; Manual focus possible
Focusing Range: Normal: 20″ – infinity (50 cm – infinity); Macro: 0.4″ – 41″ (1 cm – 100 cm)

Exposure:

ISO S nsitivity: Auto, 64, 100, 200, 400, 800, 1600, 3200, 6400
Shutter Speed: 4 – 1/4000 second
Exposure Modes: Aperture, Shutter, Manual
Metering Modes: 256-zone multi
Exposure Compensation: +/- 2.0EV in 1/3EV increments
White Balance: Image Sensor – Auto, Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Custom
Internal Flash: Modes: Auto, Forced Flash, Suppressed Flash, Slow Synchro, Red-eye Reduction Auto, Red-eye Reduction & Forced Flash, Red-eye Reduction & Slow Synchro
Range: ISO 800: Wide: Approx. 30cm – 8.0m / 1ft. – 26.2ft.;Telephoto: Approx. 2.0m – 4.0m / 6.5ft. – 13.1ft.

Creative:

Scene Modes: Portrait, Portrait Enhancer, Landscape, Sport, Night, Night (Tripod), Fireworks, Sunset, Snow, Beach, Flower, Text, Natural Light, Natural Light & Flash
Digital Zoom: Up to 2.0x
Self Timer: Yes, 2 or 10 seconds

Storage:

Recording Medium: SD/MMC including SDHC, Built-in
File System: FAT16, FAT32, complies with Design Rule for Camera File System (DCF)
File Format: RAW (.RAF), RAW+JPEG, JPEG (EXIF 2.2)

Connectivity:

Video: High definition: Yes (HDMI); Standard definition: Yes, NTSC / PAL switchable
Computer: USB 2.0 High Speed
Other: Mini HDMI

Power:

Battery Type: Alkaline, Lithium disposable or NiMH rechargeable
Battery Form Factor: 4 x AA

Product Bundle:

Battery / Charger: 4 x AA Alkaline disposable battery
Flash Memory: 45.0MB Internal

Other:

Digital Print Order Format (DPOF) compliant: Yes
Internal Microphone: Yes
Internal Speaker: Yes
Tripod Mount: Yes
Notes: Back Side Illuminated CMOS Sensor, Triple Image Stabilization (CMOS-shift, Multi-frame, High ISO), Full HD movies (1920×1080), High-Speed Movies (up to 1000fps), Motion Panorama, Motion Remover, Multi-Motion Capture, Tilting LCD, RAW Support.

The Fujifilm finepix jz500 has a 14-Megapixel CCD, a 2.7” High-Resolution LCD and a Fujinon 10x Wide-Angle optical zoom Lens (28mm-280mm equivalent). The shell of the Fuji JZ500 has been upgraded to a high-quality metal and its soft, curved edges give it a sculpted, sophisticated look.

Encased in a high-grade brushed metal body, the Fuji JZ500 is not only well protected from bumps and scrapes, but give a simple, yet elegant design. It also has a new mode dial for additional convenience and functionality. This camera offers stunning HD videos in 720p with sound and high quality stills at 1920 x 1080. Many consumers are happy to enjoy HD movies on their PC, but with the new HD Player (optional extra), which comes equipped with a remote control, families can gather around their home HDTV to enjoy amazingly detailed stills and high resolution movie playback.

The front of the Fujifilm Finepix JZ500 looks much the same as any standard compact model; that’s to say it’s dominated by the lens, the barrel of which extends 0.75cms out from the front of the camera. The lens itself then extends by a further 4cms when zoomed to full 280mm telephoto. The lens offers respectable maximum apertures of f/3.3 at 28mm and f/5.6 at 280mm. Above the lens are the integral flash unit and an activity LED. Note that there’s no hand-grip on the front of the JZ500, which does make it a little tricky to hold.

The main attractions of the Fujifilm Finepix JZ500 are the wide-angle lens with a 10x zoom packed into a small body. All of the corners are nicely rounded as is the lens surround so there’s nothing to snag when slipped into a tight pocket or bag. The metal body gives the camera a more upscale feel, but it’s a bit too slick and there’s nothing really to help your grip.

The Fujifim Finepix JZ500 introduces high-definition video for the first time to the Fujifilm J-series, capturing 1280 x 720 pixel footage at 24fps with mono sound, full use of the 10x zoom and a maximum recording time of 15 minutes per clip. Alternatively there are also 640 x 480 pixels and 320 x 240 pixels modes, also at 24 fps. Although there’s no built-in HDMI port, you could use Fujifilm’s optional HD Player Kit instead, which includes an HD card reader that connects the camera to your HDTV, and even a wireless remote control.

Previously featured on Fujifilm’s D-SLR styled, the new camera features Tracking Auto Focus which is perfect when you need to take a picture of a moving subject and can’t keep your subject in the frame. Just switch Tracking Auto Focus on and it will track your subject and ensure that you achieve a crisp picture with you subject in the center of the frame in perfect focus.

For those who enjoy the company of four-legged friends, it comes equipped with Fujifilm’s brand new Pet Detection technology, allowing users the ability to detect up to 10 faces of dogs or cats and automatically optimize the focus. Pet Detection works by matching various dog or cat data of facial parts with patterns to detect the dog or cat being photographed.

At the rear of the JZ500 we find the rest of the operational controls. Like the top plate, these are well laid out and their functions ably illustrated. Starting top right of the 2.7-inch, 230k-dot LCD screen, there’s a ridged mode wheel featuring 8 settings. Starting with full auto mode and moving clockwise we come to one of the camera’s main selling points, the aforementioned SR (Scene Recognition) auto, and, continuing in the same direction next alight on Program, the shooting mode with the largest amount of configurable options.

Reviews

PhotographyBlog reviews writes:

“Chromatic aberrations were quite well controlled, with purple fringing effects appearing only in high contrast situations. The 14 megapixel images were sharp enough straight out of the camera at the default sharpen setting and don’t require further sharpening in an application like Adobe Photoshop.”
Rating: ★★★★☆

DCR reviews the and writes:

“The JZ500 is a very good choice for someone who wants to take good pictures but doesn’t want to get too involved in the photography process; someone moving from a fairly basic first digital camera like the Canon A3100 IS would love the JZ500’s 10x zoom and easy pocketability. It is also a very good choice for travelers, backpackers, hikers and mountain bikers who want a tough, lightweight, “go anywhere” camera.”
Rating: ★★★½☆

Steves-digicams writes:

“I was impressed with how sharp the picture turned out as It seemed I was having trouble keeping the camera steady at full zoom. So at this point I must give kudos to the Dual Image Stabilization system. The outdoor macro shot turned out quite good with excellent detail.“
Rating: N/A

cnet.com.au reviews writes:

“The Fujifilm FinePix JZ500 is a serviceable compact superzoom. The lens specs make it flexible for a variety of shots and the compact body means you won’t hesitate to take it with you. Shooting performance is very good for a compact megazoom, too. However, if you’re after superb photo quality, you’ll probably be let down. It’s not that the photos are bad; they aren’t. But the lack of sharpness even at its lowest ISO settings is disappointing. Then again, its lens, size and price might be enough for you to overlook its shortcomings.”

pcworld.idg.com.au reviews writes:

“More pocket-friendly than other compact megazooms, Fujifilm’s FinePix JZ500 doesn’t have the features or the performance to match higher-priced competitors.”

Videos

Specifications

General:

Weight: 5.8 oz (165 g)
Weight With Batteries: Yes
Size: 3.8 x 2.2 x 1.1 in. (97 x 57 x 29 mm)

Image Capture:

Image Resolution:
4320 x 3240 (14.0 MP, 4:3),
4320 x 2880 (12.4 MP, 3:2),
4320 x 2432 (10.5 MP, 16:9),
3072 x 2304 (7.1 MP, 4:3),
2048 x 1536 (3.1 MP, 4:3),
1920 x 1080 (2.1 MP, 16:9),
1600 x 1200 (1.9 MP, 4:3),
640 x 480 (0.3 MP, 4:3)
Continuous-mode frames/second: 0.9
Movie Resolution: 1280×720, 640×480, 320×240
Movie Frame Rate: 24, 30, 30
Movie Audio: Yes
CCD Sensor (Megapixels): 14.10
CCD Size (inches): 1/2.3″
Focal Length Multiplier: n/a
Aspect Ratio: 4:3, 16:9
Sensor Type: CCD
Effective Megapixels: 14.10

Lens:

Focal Length (35mm equivalent): 28 – 280 mm
Zoom Ratio: 10.00x
Digital Zoom: Yes
Digital Zoom Values: Up to 6.4x
Auto Focus: Yes
Manual Focus: No
Normal Focus Range: 45 cm to Infinity/17.7 in to Infinity
Macro Focus Range: 5 – 250 cm/2.0 – 98.4 in
Aperture Range: F3.3 / F6.4 (wide); F5.6 / F11 (tele) with ND filter

Display:

Optical Viewfinder: No
LCD Viewfinder: Yes
LCD Size (inches): 2.7
LCD Resolution (pixels): 230,000

Exposure:

ISO Settings: Auto, 100, 200, 400, 800, 1600 , 3200
White Balance Settings: Auto, Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Custom
Shutter Speed Range: 4 – 1/2000
Exp Adj Range (EV):
Metering Modes: 256-zone multi
Aperture Priority: No
Shutter Priority: No
Full Manual Exposure: No
Self Timer: 2 or 10 seconds

Flash:

Internal Flash: Yes
Flash Modes: Auto, Forced Flash, Suppressed Flash, Slow Synchro; Red-eye removal can be turned off/on
Flash Guide Number (Meters): n/a
Flash Range Description: ISO Auto: Wide: approx. 50 cm–2.6 m/1.6 ft.–8.5 ft., Telephoto: approx. 90 cm–1.7 m/3.0 ft.–5.6 ft.
Ext Flash Connection: n/a

Image Storage:

Usable Memory Types: SD / SDHC
Memory Included (MB): 40.0
CCD Raw Format: No
Movie File Format: AVI (Motion JPEG)

Connectivity:

Video Out: Yes
Video Mode (NTSC/PAL): Yes
Video Usable as Viewfinder:
External Connections: USB 2.0 High Speed
Included Software: CD-ROM

Power:

Battery Form Factor: Proprietary NP-45A
Usable Battery Types: Lithium-ion rechargeable
Batteries Included: 1 x Proprietary NP-45A Lithium-ion rechargeable
Battery Charger Included: Yes
CIPA Rating: 230
Notes & Features: Dual Image Stabilization (CCD-shift, High ISO), HD Movies (720p), Tracking AF, Face Recognition, Pet Detection, Scene Recognition Auto, Face Detection and Automatic Red-eye Removal

As a full-sized superzoom, the handling is pretty good. The grip is a nice shape, and the camera feels well-balanced on the whole. The thumb rest on the back panel provides enough leverage for comfortable one-handed shooting. The grip is surprisingly satisfying. But overall, the body feels cheap and plasticky. It doesn’t feel like it’s made to last, and might crap out after a few accidental bumps.

The LCD is decently large, at 3 inches, but the resolution is a lowly 230,000 pixels. That’s actually a downgrade from the 460,000-pixel screen on last year’s S4000. We’re told that the screen is a bit brighter than last year’s model for easier viewing it direct sunlight, but we’d probably just use the EVF in that case anyway.

The flash pops up from the crest of the camera. We don’t have any specs on the effectiveness, and it was too bright on the showroom floor to get a feel for how powerful it was.

There is a red-eye removal setting available, as well as a two-for-one mode that shoots one shot with the flash, then another without the flash but with a higher ISO sensitivity. It can’t hurt, but this camera won’t be able to handle higher ISOs very well, so its effectiveness will be pretty limited.

The Fuji S4500 features a 3.0-inch large, bright LCD display makes it easy to compose great photos. It also offers the flexibility of framing your shots through the crisp, clear electronic viewfinder. The S4500 looks like a smaller version of a DSLR. To the novice’s eye, it looks like a serious camera with its over-sized grip, big lens, and assorted buttons and dials on the rear panel. After a few moments of using it, it’s pretty obvious that it’s a cheap camera in big-boy pants.

There is a built-in electronic viewfinder, which is great for keeping the camera steady and shooting in bright sunlight. It’s a 0.2-inch, 200,000-pixel, color LCD with about 97 percent frame coverage. It’s small and low-res, and the eyepiece isn’t particularly comfortable, but it’s better than nothing.

The S4500 is very easy to use. It has a few more on-camera buttons and dials than an entry-level camera would, so it could look intimidating to some entry-level users. But in practice, it’s a simple camera. The electronic viewfinder makes it easy to use in bright daylight too.

The mode dial on the top of the body holds most of the S4500’s available shooting modes. They include: a regular Auto mode for most shooting purposes; Scene Recognition Auto, which “selects the ideal settings” for a shot, so we’re not sure how that’s different from regular Auto; Scene Position which lets the user select a scene preset; Motion Panorama in-camera panorama stitching; Movie mode; a Custom setting; Manual Exposure; Aperture Priority; Shutter Priority; and Program AE modes.

The Fuji S4500′s lens has the Fujinon level of expert engineering to minimize chromatic aberrations and distortions. It offers edge-to-edge sharpness and exceptional clarity in images. At a distance of just 2cm, macro photography using the S4500 allows you to capture all the exquisite detail of your subject from really close up.This camera is equipped with SR AUTO, an auto 6 scene-recognition function with fully loaded detection functions that detect faces, blinks and smiles for clear optimized people photos.

The Fujifilm Finepix S4500 has a built-in electronic viewfinder, which is great for keeping the camera steady and shooting in bright sunlight. It’s a 0.2-inch, 200,000-pixel, color LCD with about 97 percent frame coverage. It’s small and low-res, and the eyepiece isn’t particularly comfortable, but it’s better than nothing.

The S4500 runs on 4x AA batteries. It ships with 4 alkaline cells, which should get about 300 shots. Ni-MH or lithium batteries will bump up the lifespan to 500 or 700 shots, respectively. We always recommend investing in a decent set of rechargeable batteries.

Features:

•     * 1/2.3-inch 14 mega-pixel CCD sensor
•     * Fujinon wide-angle 30x (24-720mm) super-zoom lens
•     * 200,000 dots EVF
•     * 3-inch 230,000 dots LCD
•     * ISO from 64 up to 6400
•     * CCD-Shift image stabilization
•     * 720p HD movie capture
•     * 2 cm Super Macro
•     * SR Auto modes
•     * Face Detection
•     * Blink Detection
•     * Smile & Shoot Mode
•     * Date Stamp Function
•     * Use 4 × AA batteries

Reviews

digitalcamerainfo.com reviews writes:

“Therein lies the camera’s entire appeal. Who cares if it feels cheap, won’t take great pictures, and lacks a lot of the extra features that the market has come to expect from higher-end superzooms? That magnification is enormous for a camera that costs less than $300. Of its immediate siblings—the 24x S4200 and the SL300, which runs on a rechargeable battery and sports a hotshoe—the S4500 is probably the best bet based on specs alone if you’re looking for a cheap Fuji superzoom. And if history is any indication, the price will drop a lot more as the year goes on.”

reviews.cnet.com writes:

“Very disappointed in this camera, compared to the Fujifilm S7000 I am replacing. Considering taking it back.
While there are some definite improvements over my old camera (better optical zoom, more megapixels, panorama mode, HD video), there are a ton of features missing and some really inconvenient features.”

Videos

 Specifications

The Fuji SL300 features and design flourishes that are strongly reminiscent of DSLRs and other pro-level cameras, including a rubberised coating to make comfortable in the hands for extended shooting sessions, and to also offer the reassuring build quality expected from a premium camera. The cameras’ buttons are ergonomically located and the metal-like finish completes the overall package to appeal to both the beginner and the enthusiast photographer alike.

The SL300 boasts a 3-inch LCD screen that offers 460,000 dots and an ultra-wide 160 degree viewing angle. This means it’s not only clearer to see when composing pictures the super-bright screens make playback and reviewing movies and stills easier and more enjoyable. The camera also has an Electronic Viewfinder (EVF) that offers 200,000 dots screens, so users can be assured that they’re seeing a good representation of what the camera will capture. The EVF also now benefits from the addition of a diopter adjustment, making it much easier for spectacle wearers to look through the viewfinder.

The highlight of the new FinePix SL-series is the Fujinon optical zoom lenses, which offer a high-quality 30x optical zoom. The extended zoom makes ideal for travelers looking to record their adventures; sports fans keen to capture their teams on camera or any photographer looking for a step-up from their current compact camera.

It has a cosmetic feature and design flourishes that is strongly reminiscent of DSLRs and other pro-level cameras, including a rubberised coating to make both models comfortable in the hands for extended shooting sessions, and to also offer the reassuring build quality expected from a premium camera. The camera’s buttons are ergonomically located and the metal-like finish completes the overall package to appeal to both the beginner and the enthusiast photographer alike.

The Fuji Finepix SL300 brings flexibility, creative control and outstanding optics to the new 2012 camera range.The Fuji SL300 takes you to the next level towards fantastic pictures, quality images and versatility to that of a DSLR combined with the convenience and portability of a compact camera.

The new SL300 camera is capable of capturing 720p HD movie at 30 fps. A mini HDMI output port enables it to be quickly connected to an HD ready TV so users can enjoy watching their movies back on the big screen. Still images can also be reviewed in this way, showcasing those edge-to-edge image definitions.

The entry point to the group is marked with the Fuji FinePix S4200, based around a standard 14 megapixel CCD image sensor and Fujinon-branded 24x optical zoom with 24mm equivalent wide angle.  This camera includes a 14.0Mp 1/2.3″ CCD image sensor and a Fujinon Super EBC 24-720mm (35mm equivalent) lens.

Features:

•     1/2.3-inch 14 mega-pixel CCD sensor
•     3-inch LCD screen with 460,000 dots
•     TTL Hot shoe flash
•     Additional zoom lever (side lever)
•     ISO 100- 6400*
•     720p HD movie capture
•     Li-ion battery delivering up to 300 shots per charge
•     ISO3200/6400 is effective in S mode

REVIEWS COMING

Specifications:

The Fuji S4200 features a sturdy, dust-free sealed construction and the feel of a digital SLR, the S4200 is equipped with a powerful Fujinon 24x optical zoom lens, for versatile imaging performance ranging from wide-angle 24mm to an impressive 576mm telephoto. The lens have the Fujinon level of expert engineering to minimize chromatic aberrations and distortions.It offers edge-to-edge sharpness and exceptional clarity in images.

The Fujifilm S4200 camera automatically recognizes six of the most commonly photographed scenes and optimizes camera settings for beautiful results every time. The Fujifilm S4200 features Dual Image Stabilization CCD sensors and high ISO sensitivity settings for blur-free images, but with even greater zoom capabilities.

The Fujifilm FinePix S4200 offers in-camera tagging capabilities for both Facebook and YouTube, allowing you to select photos and movies for upload on either of the sites, when you connect to your home computerThe camera includes a Smile Detection that recognizes the moment your subject smiles and releases the shutter only when this happens, ensuring a happy photo every time. Additionally, the Blink Detection function warns you if any of your subjects have blinked so that you can re-take the photo if necessary.

The S4200 packs in all the great simplicity of a point-and-shoot with its many auto modes and functions. Six Scene SR AUTO modes – including Portrait, Landscape, Night, and then some – along with a bevy of other options, take the guesswork out of shooting, giving you great images each time you shoot. Another example of a great function of the S4200 is the Natural Light and With Flash function, a mode that takes both a natural light image and one with flash, as the name so aptly suggests. When you can’t decide which way to go, shoot both. Save both images or only keep the one you like best. Either way, you’ll get to see the image both ways and decide for yourself.

The Fuji FinePix S4200 Digital Camera bridges the gap between the point-and-shoot and DSLR realms in a number of ways. It’s compact, yet features a useful hand grip. It boasts a 24x optical zoom lens, an electronic viewfinder, and a 3.0″ LCD, among other great attributes – including 1280 x 720 high definition video capture. At the same time, the S4200 keeps things simple in small ways, such as AA alkaline battery power and a super-fast start-up time of 1.8 seconds.

The FinePix S4200 offers the flexibility of framing your shots through the crisp, clear electronic viewfinder. In addition to enhanced visibility in bright daylight, the bright EVF accommodates a traditional shooting style, making it easy to steady the camera, even when shooting with the 24x zoom fully extended

This camera has many flash modes, lending a more professional feel to this bridge camera. The following is a list of these modes: Red-eye removal OFF: Auto, Forced Flash, Suppressed Flash, Slow Synchro;
Red-eye removal ON: Red-eye Reduction Auto, Red-eye Reduction & Forced Flash, Suppressed Flash, Red-eye Reduction & Slow Synchro.

The Full Manual Controls gives the user the choice of direct access to manually control the settings and shooting features (program/shutter-priority/ aperture-priority/manual). In addition to a wide range of shooting modes, FinePix S4200 offers a selection of versatile scene positions that ensure optimum results no matter what the scene.

Features

•     14 mega-pixel 1/2.3-inch CCD sensor
•     24x (24-576mm) Fujinon wide-angle super-zoom lens
•     200,000 dots EVF
•     3-inch 230,000 dots LCD
•     ISO from 64 up to 6400
•     Sensor shift Dual Image Stabilization
•     720p HD Video Recording
•     2 cm Super Macro
•     i-Flash Intelligent Flash
•     8fps Continuous Shooting
•     Instant Zoom / Zoom Bracketing
•     Motion Panorama
•     SR Auto Scene Recognition Technology
•     Face Detection
•     Blink Detection
•     Smile & Shoot Mode
•     Tracking Auto Focus
•     In-Camera Tagging
•     Date Stamp Function
•     Use 4 × AA batteries

Reviews

digitalcamerainfo.com reviews writes:

“The camera certainly looks like a DSLR, the large lens, the curved hand grip and the electronic view finder make the user feel very much in control of the artistic side of photography. We really loved the weight and the grip on this model. It was so light that one-handed shooting would be no problem, but more importantly for a bridge model, carrying it around on a strap will not be a burden on your neck. The zoom is excellent and the list of customizable modes really filled out the SLR-like nature of this super-zoom.”

 

more reviews coming

Videos

Specifications:

Features

• High quality Fujinon 26x optical zoom covering 24-624mm (35mm equivalent) with Intelligent Digital Zoom boosting range up to 1248mm
• Superb build quality and finish with rubberised coating and metal dials
• 12 megapixel EXR CMOS sensor
• Up to 10 frames-per-second shooting
• Large EVF with 1.44 million pixels and 26 degree viewing angle
• Tiltable three-inch rear LCD with Sunny Day mode
• Full HD video
• PASM modes
• Raw file format
• Film simulation modes
• Macro focusing down to 1cm
• Lithium battery providing up to 500 shots per charge
• Optical image stabilisation
• 360° Motion Panorama mode

The Fujifilm Finepix X-S1 is designed as a do-it-all, all-in-one solution for the serious photo enthusiast, the Fujifilm X-S1 is more than weighty and well built enough to withstand a few bumps and scrapes. The moulded curves of the DSLR-like body and textured matt black finish deliver a purposeful look that is as aesthetically pleasing as it is practical, with nice chunky controls, an ergonomic control layout that allows both quick and easy access to functions, and a deep hand-grip with a well-thought-out indentation into which a middle finger slots comfortably. This is a camera for which you will very much need to use both hands at once. The two dials on top of the camera are precision milled from solid metal, although all the other external buttons are made from plastic.

The design of the 26x zoom lens is based on Fujinon’s broadcast-quality TV lenses. Featuring a 12-group, 17-element lens configuration, it includes four glass-moulded aspherical lenses with high refractive index plus two ED lenses. Super EBC (Electron Beam Coating) multilayer coating reduces flare and ghosting.

The X-S1 controls are essentially the same as in the Fujifilm X10 and have been outlined in our review of that camera. (INSERT LINK) In the auto mode, the image processor will evaluate the scene and can calculate whether an image contains a person, features backlighting or has any subject movement. The relevant scene mode is then selected from a built-in ‘library’.

The Fujifilm Finepix X-S1 compact camera can record video clips up to 29 minutes long for the 1920×1080 and 1280×720 pixel formats, with longer times available for VGA and SVGA modes. The dedicated Movie button on the rear makes it quick and easy to shoot a movie without missing the start of the action, and there’s a mini-HDMI port for connection to a HDTV (cable not supplied). You can select one of the Film Simulation modes to give your footage a more creative look, and there’s the option to take a still photo at any time during movie recording.

The rear panel of the X-S1 looks a lot like a regular DSLR, with a large LCD monitor flanked by a generous array of button controls. The screen’s resolution isn’t particularly high (460,000 dots) but its top tilts forward through about 30 degrees and its lower edge tilts up through a little more than 90 degrees to allow over-the-head and waist-level shooting. A special Monitor Sunlight Mode is available for use in bright ambient lighting.

The top panel carries the mode dial, which has 11 settings: P, S, A and M shooting modes plus three Custom memories in which clusters of settings selected in the P, S, A, M and EXR modes can be stored. The remaining four settings are fully or semi-automatic and include SP (Scene Position), Auto, Adv. (‘Advanced’ techniques automated) and EXR (containing settings to improve clarity, reduce noise and increase dynamic range). We’ve described these modes in previous reviews of Fujifilm cameras.

At the heart of the X-S1 is the 26x zoom lens which is made up of 12 groups and 17 elements including four aspherical elements and two ED lenses. It also has a 9-blade aperture diaphragm and comes complete with a metal lens barrel with manual zoom and focus rings, just like on a DSLR lens. This versatile lens offers a focal range starting at an ultra-wide 24mm and finishing at an ultra-telephoto 624mm. Throw in the 1cm Super Macro mode and impressive maximum apertures of a bright f/2.8 at 24mm wide-angle to f5.6 at full 624mm telephoto, and it’s clear that the X-S1 is perfectly suited for virtually any subject that you can think of, near or far.

The Fujifilm X-S1 is a new bridge camera with a 2/3”-type 12-megapixel EXR CMOS sensor and a 24-624mm equivalent Fujinon zoom lens. The lens comprises 17 glass elements, including four aspherical elements and two ED lenses, a nine-bladed diaphragm and a maximum aperture of f/2.8 at the wide end of the zoom range.
The camera offers a full range of conventional shooting functions (program/aperture-priority/shutter-priority/manual), each enabling users to fine tune colour, image sharpness and tone. In addition, there are four auto bracketing options plus eight Film Simulation and white balance functions.

Reviews

photographyblog.com reviews writes:

“All of these improvements and features do come at a literal price though – £699 / $799 is an awful lot of money to pay for what is a fixed-lens compact camera, easily making the X-S1 the most expensive super-zoom on the market. Having said that, it’s also easily the best-in-class super-zoom, offering a compelling mix of features, performance and image quality that no other rival can match. If you want one camera that can do it all, then look no further than the Fujifilm X-S1.”

digitalcamerainfo.com reviews writes:

“The X-S1 aims to fill that (possibly narrow) niche by taking a step beyond the genre’s self-imposed borders. It’s built around an oversized sensor with one of the most solid, well-constructed chassis we’ve ever seen in the category. It maintains all of the native versatility and comfortable handling of a regular bridge camera, too. As long as the image quality is actually superior to models like the Panasonic FZ150 or Canon SX40HS (and with such a large sensor that worked well in the X10, there’s no reason to think that it won’t be), it’ll be the only truly premium superzoom on the market. Like it’s X-series siblings, it’s a boutique camera, the only one quite like itself at the moment.”

techradar.com reviews writes:

“The Fuji X-S1 is an ideal purchase for the photography nut looking for one camera that can do it all, and prepared to compromise on having image quality not quite on a par with a semi-pro DSLR that one could buy for a similar outlay.”

pocket-lint.com reviews writes:

“The X-S1 is king of the superzooms and will see off any of the competition. Though, at £700, it’s a costly investment. But an investment is just what it feels like – this is a quality bit of engineering. But it’s not without fault. The autofocus system is good, but can leave a feeling of longing for something yet more capable – in particular at the telephoto end of the zoom range and when in continuous autofocus mode. Image quality, too, is an echo of the X10: there’s that ongoing processing issue that can cause specular highlights to morph into white orbs (whether shooting Raw or JPEG, it doesn’t matter)”

trustedreviews.com reviews writes:

“The Fuji X-S1 is intended as a premium grade superzoom bridge camera. Using the same 2/3inch sensor as the Fujifilm X10, the X-S1 is capable of producing class-leading image quality within the superzoom segment. Other highlights include the manually operated 26x optical zoom, a surprisingly usable EVF, and solid overall build quality. Overall, superzoom fans will find little to complain about here, aside from the rather high price tag. Ultimately you will get better image quality from a DSLR or compact system camera, however if your heart is set on a superzoom and you have the money to spend then this is undoubtedly the model to aspire to at present.”

Videos

Specifications

• * ISO4000 / 5000 / 6400 : M mode or lower, ISO12800 : S mode

Exposure controlTTL 256-zones metering, Multi / Spot / AverageExposure modeProgrammed AE, Aperture Priority AE, Shutter Priority AE, ManualShooting modes

SP

Natural Light & Flash, Natural Light, Portrait, Portrait Enhancer, Dog, Cat, Landscape, Sport, Night, Night (Tripod), Fireworks, Sunset, Snow, Beach, Party, Flower, Text

MODE DIAL

EXR, AUTO, Adv., SP, C3, C2, C1, M, A, S, P

Image stabilizerLens shift typeExporsure compensation-2.0EV – +2.0EV 1/3EV stepShutter speed(Auto mode) 1/4 sec. to 1/4000 sec., (All other modes) 30 sec. to 1/4000 sec.Continuous shooting

TOP

Super High : approx. 10 fps (Size M, S)
High : approx. 7 fps (Size L, M, S)
Middle : approx. 5 fps (Size L, M, S)
Low : approx. 3 fps (Size L, M, S)
*SD memory card with a class 4 write speed (4 MB/sec.) or better is recommended.
*The frame rate varies depending on the shooting conditions or numbers of frames in continuous shooting.

others

Best Frame capture :
Super High : approx. 10 fps 8 / 16 frames (Size M, S)
High : approx. 7 fps 8 frames (Size L, M, S) / 16 frames (Size M, S)
Middle : approx. 5 fps 8 frames (Size L, M, S) / 16 frames (Size M, S)
Low : approx. 3 fps 8 frames (Size L, M, S) / 16 frames (Size M, S)

Auto bracketingAE Bracketing : ±1/3EV, ±2/3EV, ±1EV
Film Simulation Bracketing : PROVIA / STANDARD, Velvia / VIVID, ASTIA / SOFT
Dynamic Range Bracketing : 100%, 200%, 400%
ISO Sensitivity Bracketing : ±1/3EV, ±2/3EV, ±1EVFocus

mode

Single AF / Continuous AF (EXR AUTO, Movie),
Manual AF (One-push AF mode included)

type

TTL contrast AF, AF assist illuminator available

AF frame selection

Multi, Area, Tracking

White balanceAutomatic scene recognition
Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Custom, Color temperature selection (2,500K – 10,000K)Self-timer10 sec. / 2 sec. delay , Auto ReleaseFlashAuto flash (super intelligent flash)
Effective range : (ISO AUTO (800))
Wide : Approx. 30 cm – 8.0 m / 0.9 ft. – 26.2 ft.
Telephoto : Approx. 2.0 m – 4.0 m / 6.5 ft. – 13.1 ft.Flash modesRed-eye removal OFF : Auto, Forced Flash, Suppressed Flash, Slow Synchro.
Red-eye removal ON : Red-eye Reduction Auto, Red-eye Reduction & Forced Flash, Suppressed Flash, Red-eye Reduction & Slow Synchro.Hot shoeYesViewfinder0.47-inch, approx. 1440,000 dots, TFT color LCD monitor
Approx. 100% coverage
Diopter adjustment : -5 – +3 m^-1(dpt)LCD monitor3.0-inch, approx. 460,000 dots, TFT color LCD monitor, approx. 100% coverageMovie recording1920 x 1080 pixels / 1280 x 720 pixels / 640 x 480 pixels (30 frames / sec.) with stereo sound
Optical zoom (manual) can be used.Photography functionsEXR mode (EXR Auto / Resolution priority / High ISO & Low noise priority / Dynamic range priority), Face recognition, Face Detection, Auto red-eye removal, Film simulation, Framing guideline, Frame No. memory, Histogram display, Advanced mode (Motion panorama360, Pro focus, Pro low light), High Speed Movie (70 / 120 / 200 frames/sec.), Electronic level, One-touch RAW, Advanced Anti Blur, Focus check, Color spacePlayback functionsFace Detection, Auto red-eye removal, Multi-frame playback (with micro thumbnail), Protect, Crop, Resize, Slide show, Image rotate, Voice memo, Histogram display, Exposure warning, Photobook assist, Image search, Favorites, Mark for upload, Panorama, Erase selected frames, RAW conversingOther functionsPictBridge, Exif Print, 35 Languages, Time difference, Silent mode, Sutter soundTerminal

Video output

NTSC / PAL selectable with Monaural sound

Digital interface

USB 2.0 High-Speed

HDMI output

HDMI Mini connector

External microphone

ø3.5 Mini with Stereo sound

Power supplyNP-95 Li-ion battery (included)Dimensions135(W) x 107(H) x 149(D) mm / 5.3(W) x 4.2(H) x 5.9(D) in.WeightApprox. 945 g / 33.3 oz. (including battery and memory card)
Approx. 905 g / 31.9 oz. (excluding battery and memory card)Operating Temperature0°C – 40°COperating Humidity10% – 80% (no condensation)Guide to the number of available frames for battery operationapprox. 460 frames (*4)
approx. 500 frames (using EVF)Accessories includedLi-ion battery NP-95
Battery charger BC-65N
Shoulder strap
Lens cap and Lens cap cord
Lens hood
USB cable
CD-ROM
Owner’s manualOptional accessoriesLi-ion battery NP-95
Battery charger BC-65N
Shoe Mount Flash EF-42 / EF-20
Remote release RR-80

****½ (4.5/5)

Features

• Retro Design
• Credit Card Size Photos
• LCD Film Counter & Shoot Mode Display
• Camera Mounted Mirror f/ Self Portraits
• Automatic Electronic Flash
• Includes Close-Up Lens
• Powered by CR2 Batteries

Fujifilm Instax Mini Color  film is for all instant mini cameras and comes in a handy cartridge. It offers stunning instant pictures that you can fit into a purse, wallet or mini photo frame. instax film ensures sharp, clear reproduction, vivid color and natural skin tones. Highly stable, the new emulsion performs at temperatures as low as 5°C and as high as 40°C.

Fuji Instax Mini film is used for the Fujifilm Instax Camera range.But this film works on the Polaroid 300 camera as well. The Polaroid 300 is a rebranded Fujifilm Instax Mini 7s camera. This means that Polaroid 300 film works on the Fujifilm Instax Mini range of cameras, and vice versa, Fujifilm Instax Mini film also works on the Polaroid 300 camera.

SPECIFICATIONS